Sichuan Yonghe Li Auction Co., Ltd. For the strong dissemination effect of collections, we recommend to buyers the art treasures selected by experts of national first-level appraisal, and make a bridge for Tibetans, so that the value of thousands of art treasures can be excavated and valued, and high-priced transactions can be concluded at auction.
[Name]Pink Shoutao Teapot (Mid-Qing Dynasty)
[Specification] High: 10cm diameter: 3.6cm bottom diameter: 4cm
Today, I brought you a pink longevity peach teapot from Xi'an. According to Mr. Ji, the treasure holder, this collection is handed down from home to his own hands. I have kept it for many years, and I am reluctant to take it out. This time, I hope to appreciate it through the platform.
The collector's shape and specifications are rich and noble. Its appearance is based on the Yellow Fuwen pattern. The decoration depicts the folded branches of Shoutao, the pot's body Fulu Shouxi pattern, and the golden border and the green rabbit top. From shape, specification to decoration, the vessel expresses the beauty of Yutang's richness. It is true that the collector owns this teapot, which adds to the wealth of gold and jade.
Pink Porcelain Produced by Jiaqing Dynasty in Qing Dynasty. From the perspective of handed down works, no matter the shape or decorative theme, the works of the former dynasty were the blueprint, and there was no major breakthrough. Especially in the early Jiaqing period, Emperor Taihuangjian of Qianlong was basically the same as the works of the Qianlong Dynasty, so there was a saying that "Qianlong and Jiaqing are indiscriminate". Jiaqing's boutiques are easily confused with Qianlong's if they don't look at money. Jiaqing Pink Official Kiln is mostly at the bottom of the wares. It is a six-character style of red or gold or blue and white seal book "Jiaqing Year System of the Qing Dynasty", with neat font and rigorous structure. It is worth pointing out that Jiaqing folk kiln fund recognition, a common blue and white seal book "Qing Jiaqing Annual System" six-character paragraph, uneven strokes, are composed of six-character half-edge characters, rash and loose, and some are not easy to identify.
In the early period of Jiaqing, the texture of the pastel utensils basically maintained a more delicate and moist texture in the middle and late period of Qianlong, but in the later period, the body was slightly rough and varied in thickness. At this time, the pastel pottery is mainly of color, not very flat, with a wave feeling. The white pastel pottery is relatively few, and the glaze is fine and moist, white and shiny blue, and the glaze is thin and even. Generally, the glaze of the earlier works is denser, and the glaze of the later works is more loose. At this time, gold, Turquoise and green glaze were often applied along the mouth, inside and bottom of the pink ware in the official kiln, but the color was slightly deeper and less uniform than that in the Qianlong period.
Tao Ya is a book with clouds: "After the middle of the Qing Dynasty, it was not as deep as Kangxi, nor as beautiful as Yongzheng, but at the cost of work, it was enough to be tolerant and middle-class. Since Jia (Qing) and Dao (Guang), painters and colours have been declining, while the most exquisite products have their own place to bury. As stated in the book, although the firing of porcelain in Jiaqing was much worse than before, there are still many excellent works which can not be buried. As a precious wealth left to us by history, we should pay attention to them.